Anything Is Possible

The Sign

Tommy Guptill had once owned a dairy farm, which he d inherited from his father, and which was about two miles from the town of Amgash, Illinois. This was many years ago now, but at night Tommy still sometimes woke with the fear he had felt the night his dairy farm burned to the ground. The house had burned to the ground as well; the wind had sent sparks onto the house, which was not far from the barns. It had been his fault ­he always thought it was his fault ­because he had not checked that night on the milking machines to make sure they had been turned off properly, and this is where the fire started. Once it started, it ripped with a fury over the whole place. They lost everything, except for the brass frame to the living room mirror, which he came upon in the rubble the next day, and he left it where it was. A collection was taken up: For a number of weeks his kids went to school in the clothes of their classmates, until he could gather himself and the little money he had; he sold the land to the neighboring farmer, but it did not bring much money in. Then he and his wife, a short pretty woman named Shirley, bought new clothes, and he bought a house as well, Shirley keeping her spirits up admirably as all this was going on. They d had to buy a house in Amgash, which was a run-­down town, and his kids went to school there instead of in Carlisle, where they had been able to go to school before, his farm being just on the line dividing the two towns. Tommy took a job as the janitor in the Amgash school system; the steadiness of the job appealed to him, and he could never go to work on someone else s farm, he did not have the stomach for that. He was thirty-­five years old at the time.

The kids were grown now, with kids of their own who were also grown, and he and Shirley still lived in their small house; she had planted flowers around it, which was unusual in that town. Tommy had worried a good deal about his children at the time of the fire; they

Elizabeth Strout is the #1 New York Times bestselling author of Olive Kitteridge, winner of the Pulitzer Prize; Olive, Again, an Oprah’s Book Club pick; Anything Is Possible, winner of the Story Prize; My Name is Lucy Barton, longlisted for the Man Booker Prize; The Burgess Boys, named one of the best books of the year by The Washington Post and NPR; Abide with Me, a national bestseller; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the International Dublin Literary Award, and the Orange Prize. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.

When Elizabeth Strout is on her game, is there anybody better? . . . This is a generous, wry book about everyday lives, and Strout crawls so far inside her characters you feel you inhabit them. . . . This is a book that earns its title. Try reading it without tears, or wonder. USA Today (four stars)

Readers who loved My Name Is Lucy Barton . . . are in for a real treat. . . . Strout is a master of the story cycle form. . . .  She paints cumulative portraits of the heartache and soul of small-town America by giving each of her characters a turn under her sympathetic spotlight. NPR

These stories return Strout to the core of what she does more magnanimously than anyone else, which is to render quiet portraits of the indignities and disappointments of normal life, and the moments of grace and kindness we are gifted in response. . . . Strout hits the target yet again. The Washington Post

In this wise and accomplished book, pain and healing exist in perpetual dependence, like feuding siblings. The Wall Street Journal

Anything Is Possible confirms Strout as one of our most grace-filled, and graceful, writers. The Boston Globe

Anything Is Possible keenly draws a portrait of a small town where options are few, where everyone s business is everyone s business, and where verdicts rendered while young follow you your whole life. . . . It joins a vast genre, and elevates it. Minneapolis Star Tribune

Neither novel nor linked story collection strikes me as adequate terms to describe this book s ingenious structure. . . . Strout s sentence style fits these Midwestern folks and tales: straightforward while also seeming effortlessly lyrical, seeded both with humor and bitterness like many of our days. Milwaukee Journal Sentinel

Stunning . . . Strout, always good, just keeps getting better. Vogue

Full of searing insight into the darkest