Queer Anatomies
Aesthetics and Desire in the Anatomical Image, 1700-1900
(Sprache: Englisch)
In centuries past, sexual body-parts and same-sex desire were unmentionables debarred from polite conversation and printed discourse. Yet one scientific discipline-anatomy-had license to represent and narrate the intimate details of the human...
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In centuries past, sexual body-parts and same-sex desire were unmentionables debarred from polite conversation and printed discourse. Yet one scientific discipline-anatomy-had license to represent and narrate the intimate details of the human body-anus and genitals included. Figured within the frame of an anatomical plate, presentations of dissected bodies and body-parts were often soberly technical. But just as often monstrous, provocative, flirtatious, theatrical, beautiful, and even sensual. Queer Anatomies explores overlooked examples of erotic expression within 18th and 19th-century anatomical imagery. It uncovers the subtle eroticism of certain anatomical illustrations, and the queerness of the men who made, used and collected them. As a foundational subject for physicians, surgeons and artists in 18th- and 19th-century Europe, anatomy was a privileged, male-dominated domain. Artistic and medical competence depended on a deep knowledge of anatomy and offered cultural legitimacy, healing authority, and aesthetic discernment to those who practiced it. The anatomical image could serve as a virtual queer space, a private or shared closet, or a men's club. Serious anatomical subjects were charged with erotic, often homoerotic, undertones. Taking brilliant works by Gautier Dagoty, William Cheselden, and Joseph Maclise, and many others, Queer Anatomies assembles a lost archive of queer expression-115 illustrations, in full-colour reproduction-that range from images of nudes, dissected bodies, penises, vaginas, rectums, hands, faces, and skin, to scenes of male viewers gazing upon works of art governed by anatomical principles. Yet the men who produced and savored illustrated anatomies were reticent, closeted. Diving into these textual and representational spaces via essayistic reflection, Queer Anatomies decodes their words and images, even their silences. With a range of close readings and comparison of key images, this book unearths
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the connections between medical history, connoisseurship, queer studies, and art history and the understudied relationship between anatomy and desire.
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Inhaltsverzeichnis zu „Queer Anatomies “
List of Illustrations AcknowledgementsPart One: The unbearable queerness of anatomyIntroduction 1.1.1 A queer ventriloquism act 1.1.2 An advisory, an acknowledgment Theory 1.2.1 Queer explains everyone 1.2.2 Queer history 1.2.3 The gaze and its objects 1.2.4 Proliferating views, intensified viewing 1.2.5 An odd term 1.2.6 Default genders of anatomy 1.2.7 Homoerotics queered 1.2.8 The epistemology of the anatomical closet Objects 1.3.1 Mystery men, mute images 1.3.2 The mystery penis 1.3.3 The penis and medical eyes 1.3.4 The closet's edge Part Two: Connoisseurship, taste and "the beauty of the plate"Gautier 2.1.1 Hungry eyes, science and the anatomical mezzotint 2.1.2 Anatomical provocations and the senses Cheselden 2.2.1 "The beauty of the plate" 2.2.2 What is beautiful? 2.2.3 Connoisseurial judgment and anatomy 2.2.4 Cheselden's figures 2.2.5 Cheselden the man 2.2.6 The learning curve 2.2.7 Headbutting disputation Between Men 2.3.1 Between men: connoisseurs, collectors and anatomy 2.3.2 Conversations and "conversation pieces" 2.3.3 Eyes on the connoisseurial gaze 2.3.4 Between men: a continuum of attachments 2.3.5 Between men: surgical masculinity and objects Part Three: "Overshadowed by the artist": Mr Joseph Maclise's queer anatomyPrologue: Nicolas-Henri Jacob 3.1 Medical eyes, surgical hands Joseph Maclise 3.2 The mystery of Mr Joseph Maclise 3.2.1 Misters Quain and Maclise 3.2.2 Queer bedroom scenes 3.2.3 Irrelevant penises (a gallery) 3.2.4 Touching representation 3.2.5 Cascading rhymes 3.2.6 The anus compared 3.2.7 Maclise's men: An imaginary confraternity? 3.2.8 Race and Maclise's radical (queer) philosophy of universalist embodiment 3.2.9 Heteronormative queer 3.2.10 A crucifixion 3.2.11 How did Quain and Maclise get on? 3.2.12 Comparative anatomies: predecessors, contemporaries 3.2.13 The queer figure study 3.2.14 The locked atlas and locked closet Appendix 3.3 Maclise's long goodbye Conclusion: The ontology of the anatomical closetBibliographyIndex
Autoren-Porträt von Michael Sappol
Michael Sappol
Bibliographische Angaben
- Autor: Michael Sappol
- 2024, 280 Seiten, 113 farbige Abbildungen, Maße: 15,6 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: Bloomsbury Academic
- ISBN-10: 1350400874
- ISBN-13: 9781350400870
- Erscheinungsdatum: 17.10.2024
Sprache:
Englisch
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