Stanley Cavell on Aesthetic Understanding

1. Introduction; Garry L. Hagberg.- Part I: Understanding Persons Through Film.- 2.  I Want to Know More About You: On Knowing and Acknowledging in Chinatown; Francey Russell.- 3. Other Minds and Unknown Women: The Case of Gaslight; Jay R.Elliott.-4. The Melodrama of the Unknown Man; Peter Dula.- Part II: Shakespeare, Opera, and Philosophical Interpretation.-5.  Cordelia's Moral Incapacity in King Lear David Anthony Holiday.- 6.  Disowning Certainty: Tragic and Comic Skepticism in Cavell, Montaigne, and Shakespeare; Stan Benfell.-7.  Must We Mean What We Sing?: Cosi fan tutte and the Lease of Voice; Ian Ground.- Part III: Aesthetic Understanding and Moral Life.-8. What Matters: The Ethics and Aesthetics of Importance; Sandra Laugier.-9. Achilles' Tears: Cavell, the Iliad, and Possibilities for the Human; David LaRocca.-10. Wittgenstein "in the midst of" Life, Death, Sanity, Madness - and Mathematics: Cavellian Themes; Richard McDonough.- Part IV: Reading Fiction and Literary Understanding.- 11. Fraudulence, Knowledge, and Post-Imperial Geographies in John Le Carré's Fiction: A Cavellian Postcolonial Reading; Alan Johnson.- 12. Must We Do What We Say? The Plight of Marriage and Conversation in George Meredith's The Egoist; Erin Greer.- 13. Within the Words of Henry James: Cavell as Austinian Reader; Garry L. Hagberg.- Index.

Garry L. Hagberg is the James H. Ottaway Professor of Philosophy and Aesthetics at Bard College, USA. Previous publications include Art as Language: Wittgenstein, Meaning, and Aesthetic Theory, Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge (1998), and Describing Ourselves: Wittgenstein and Autobiographical Consciousness (2008). He has contributed to various journals, collections, and reference works, and is Editor of the journal Philosophy and Literature. He also recently edited Wittgenstein on Aesthetic Understanding (Palgrave, 2017) for the Philosophers in Depth book series, and is presently writing a new book on the contribution literary experience makes to the formation of self and sensibility, Living in Words: Literature, Autobiographical Language, and the Composition of Selfhood (forthcoming).