Studies of Literature from Marginalized Nations in Modern China, with a Focus on Eastern European Literature

Literary Eastern Europe from the Viewpoint of Sino-Foreign Literary Relations.- The Beginnings of the Chinese Translation of Eastern European Literature in the Late Qing and Early Republic of China.- Translating the Literature of the Weak and Small Nations in the May Fourth Era.- Translation and Introduction of Eastern European Literature in the 1930s and 1940s.- Translating the Literature of Marginalized Nations and the Construction of a National Culture in the People's Republic of China.-Sándor Petöfi from the Perspective of Modern China - The Chinese Translation of His Epigram.- The Different Reception of Henryk Sienkiewicz, Julius Fucík and Bertolt Brecht in China.- Milan Kundera in China.- Esperanto and the Translation of the Literature of the Marginalized Nations.- The Research and Translation of Eastern European Literature in the first 60 years of the PRC.- National Consciousness VS. Cosmopolitan Consciousness: Rabindranath Tagore in China.- The Significance of the Literature of Marginalized Nations in Sino-Foreign Literary Relations - With a Focus on Eastern European Literature.

Binghui Song is Professor at the Institute of Literary Studies, Shanghai International Studies University. As Editor-in-Chief of the journal Comparative Literature in China (ISSN1006-6101) and Vice President of the Chinese Comparative Literature Association (CCLA), he has been devoted to studying Sino-foreign literary relations since 2000.        Holding a Ph.D. in Translation Studies from Fudan University, China (2003), his research interests include modern Sino-foreign literary relations, modern Chinese literature, and modern Chinese translated literature. In the past 10 years, he has successively participated in four National Philosophy & Social Sciences Foundation Projects on Sino-foreign literary relations. He is Author of 14 books and has published over 100 articles in domestic and international journals.  Binghui Song won the "Contemporary Criticism Award" from the journal Contemporary Writer Review in 2007, the "Outstanding Achievement Award in Chinese Contemporary Literary Research" from the Chinese Contemporary Literature Society in 2010, the "Outstanding Achievement Award in Foreign Literary Research" from the Chinese Higher Education Society in 2010, and the Second Prize in Humanities and Social Sciences Research from the Chinese Ministry of Education in 2019.