The Black Phone and Other Stories
Previously published as 20th Century Ghosts
(Sprache: Englisch)
Imogene is young, beautiful, kisses like a movie star and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater.
Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass...
Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass...
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Klappentext zu „The Black Phone and Other Stories “
Imogene is young, beautiful, kisses like a movie star and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater.Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children. With him, in his subterranean cell, is an antique phone, long since disconnected...but it rings at night, anyway, with calls from the dead...
Meet these and a dozen more, in 20TH CENTURY GHOSTS, irresistible, addictive fun showcasing a dazzling new talent.
Autoren-Porträt von Joe Hill
Joe Hill is a recipient of the Ray Bradbury Fellowship and the winner of the A.E. Coppard Long Fiction Prize, William Crawford, World Fantasy, British Fantasy, Bram Stoker and International Horror Guild Awards. His short fiction has appeared in literary, mystery and horror collections and magazines in Britain and America. For more information, visit www.joehillfiction.com or follow @Joe_Hill on social media.
Bibliographische Angaben
- Autor: Joe Hill
- 2022, 400 Seiten, Maße: 12,8 x 19,6 cm, Kartoniert (TB), Englisch
- Verlag: Gollancz
- ISBN-10: 1399600036
- ISBN-13: 9781399600033
- Erscheinungsdatum: 04.08.2022
Sprache:
Englisch
Pressezitat
Each of these chilling tales arrests you from the opening sentence and leads you - trustingly, thanks to the simple mastery of the story-teller - into a place of gulping fear. DAILY MAIL
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