The Woman in Black
(Sprache: Englisch)
Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman,...
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Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold...
Autoren-Porträt von Susan Hill
SUSAN HILL has been a professional writer for over fifty years. Her books have won awards and prizes including the Whitbread, the John Llewellyn Rhys and a Somerset Maugham, and have been shortlisted for the Booker. Her novels include Strange Meeting, I'm the King of the Castle, In the Springtime of the Year and The Mist in the Mirror. She has also published autobiographical works and collections of short stories as well as the Simon Serrailler series of crime novels. The play of her ghost story The Woman in Black is one of the longest running in the history of London's West End. In 2020 she was awarded a damehood (DBE) for services to literature. She has two adult daughters and lives in North Norfolk.
Bibliographische Angaben
- Autor: Susan Hill
- 1998, 200 Seiten, Maße: 13 x 19,8 cm, Taschenbuch, Englisch
- Verlag: Random House UK Ltd
- ISBN-10: 0099288478
- ISBN-13: 9780099288473
- Erscheinungsdatum: 06.08.1998
Sprache:
Englisch
Rezension zu „The Woman in Black “
"A rattling good yarn, the sort that chills the mind as well as the spine" Guardian "She writes with great power, authentically chilling" Daily Telegraph "An excellent ghost story...magnificently eerie...compulsive reading" Evening Standard "One of the most chilling ghost stories of our generation...gripping...an incredibly compulsive read and a short but necessary book for anyone planning to see the film" -- Antonia Charlesworth Big Issue "One of the most popular British ghost stories of modern times" Observer
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