Spectacles of Waste
(Sprache: Englisch)
Today, our excremental captivation defines what it means to be a modern person. Pressing concerns about fecal matters challenge our sense of ourselves, making us question whether we can ever be truly uncontaminated. Strained efforts to disavow our shit have...
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Klappentext zu „Spectacles of Waste “
Today, our excremental captivation defines what it means to be a modern person. Pressing concerns about fecal matters challenge our sense of ourselves, making us question whether we can ever be truly uncontaminated. Strained efforts to disavow our shit have forced out the sciences of wastewater epidemiology and the molecular refinements of the human gut microbiome. Attempts to repudiate our shit additionally have produced psychoanalysis, philosophy, social theory, literature and contemporary art. But why do we live by these scato-logics? And why are we compelled to try to deny and repress these shitty truths?In Spectacles of Waste, leading historian of medicine Warwick Anderson reveals how human shit stimulates and challenges modern reason, bioscience and aesthetics. He expertly guides us on a passage through sewage snooping, deep into the gut microbiome, past excremental colonialism and across the contemporary politics of colon-izing others (as well as ourselves). A cornucopia of modern excrementality confronts us, a filthy array of fecal fascinations ranging from anal characters and anal pleasures, uncanny stools, turd romancing, intestinal intoxication, gut buddies, the hookworm underground, shit art, kitsch tropical laboratories, and the latrinoscene--all the way to the emergence of the modern life sciences.
Written with verve and aplomb, Anderson's expert analysis reveals how in recent years (especially during the COVID-19 pandemic) we doubled down on abstracting and datafying our shit, underlining our unconscious complicity in smearing its dirty biopolitical signature across our lives.
Inhaltsverzeichnis zu „Spectacles of Waste “
Introduction: Modern Excrementalities and Postcolonic Biopolitics Chapter 1: The Sewage Panopticon Chapter 2: The Waste That Therefore I am? Chapter 3: The Colon-ized World Chapter 4: Powers of Ordure Chapter 5: Gut Feelings and Dark Continents Conclusion: A Topsy-Turvy Creature
Autoren-Porträt von Warwick Anderson
Warwick Anderson is an award-winning historian of science, medicine and public health and the Janet Dora Hine Professor of Politics, Governance and Ethics at the University of Sydney. In 2023, he received the Bernal Prize in recognition of his distinguished contributions to the field of science and technology studies.
Bibliographische Angaben
- Autor: Warwick Anderson
- 2024, 1. Auflage, 184 Seiten, Maße: 13,8 x 21,6 cm, Gebunden, Englisch
- Verlag: Wiley & Sons
- ISBN-10: 1509557407
- ISBN-13: 9781509557400
- Erscheinungsdatum: 22.03.2024
Sprache:
Englisch
Pressezitat
"The reader of the surprisingly delicate Spectacles of Waste might wonder if Warwick Anderson is awfully concerned with elimination. She would be both right and wrong. Right in that Anderson deftly and exhaustively traces the scholarly disciplines, populations, and practices devoted to the contaminations, infrastructural accommodations , "latrinoscenes," and "promiscuous defecations" (as U.S colonials in the Philippines delicately put it) surrounding what our bodies excrete (and why we need to know about gut culture, in more than one sense). Indeed, this compelling volume is a testimony to degree to which the repugnant shapes our lives. The book is exemplary of what ethnographic history can be, as it draws unexpected connections, scales of vision, a sensorium that reveals networks of fear and fascination, hookworm moving through the gut as "cure" rather than pathogen, "foreign" microbes vastly more prevalent than the body's own. Our reader would be wrong in that the scatological is not really the point of this impressive and meticulous work devoted less to elimination than to is the myths about purity and pollution that we live. Anderson's absorbing account makes sense of why we have an explosion of "stool banks", why the current research on noxious excretions may represent a bionomic bonanza, and why the scatological may be the gold standard of our health."Ann Laura Stoler, Willy Brandt Distinguished University Professor, The New School for Social Research, author of Interior Frontiers
"A stirring account of excremental politics. Deeply researched and cleverly written, Anderson shows, by examining our deepest fecal fears and obsessions, that our strained attempts to distance ourselves from our waste is what makes us modern. From environmental pollution to self-serving shit psychoanalysis and the twenty-first century gut microbiome, this short book is a tour de force."
Jacob Steere-Williams, College of Charleston, author of The Filth
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Disease
"Spectacles of Waste is funny and smart. As Anderson explains, the book puts the "anal" back in analysis and the "colon" back in colonialism. The romp through theory and literature alone makes the book worth reading. We can never be modern, Anderson argues, because we are always already deep in shit."
Anna Tsing, co-author of Field Guide to the Patchy Anthropocene
"A tour de force that puts shit at the heart of contemporary debates about what it means to be human. Warwick Anderson shows us how crucial "excremental imaginings" are to the messy business of power, giving us an intimate and original perspective on modern biopolitics and its extrusions. Profound, witty, and utterly compelling."
Robert Peckham, University of Hong Kong, author of Fear: An Alternative History of the World
"Spectacles of Waste is funny and smart. As Anderson explains, the book puts the "anal" back in analysis and the "colon" back in colonialism. The romp through theory and literature alone makes the book worth reading. We can never be modern, Anderson argues, because we are always already deep in shit."
Anna Tsing, co-author of Field Guide to the Patchy Anthropocene
"A tour de force that puts shit at the heart of contemporary debates about what it means to be human. Warwick Anderson shows us how crucial "excremental imaginings" are to the messy business of power, giving us an intimate and original perspective on modern biopolitics and its extrusions. Profound, witty, and utterly compelling."
Robert Peckham, University of Hong Kong, author of Fear: An Alternative History of the World
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